In this exclusive SoundWorks Collection interview we talk with the sound team of 10 Cloverfield Lane including Supervising Sound Editor Robert Stambler, re-recording mixer Will Files and Lindsey Alvarez.

In this exclusive SoundWorks Collection interview we talk with Supervising Sound Editor Scott Hecker about his work on Director Zack Snyder's Batman v Superman: Dawn of Justice.

In this exclusive SoundWorks Collection sound profile we feature Composer Jason Graves who created an emotionally provocative soundtrack made out of wood, bones, rocks and sweat!

Martin Hernandez and Lon Bender. In this two-part podcast, we catch up with Academy Award nominees Lon Bender and Martin Hernandez to discuss their BAFTA-winning work on The Revenant.

Alan Murray, two-time Academy Award-winner nominated this year for Sicario, discusses using sound to tell the audience that things may not be quite right, how low-end can heighten tension, and his remarkable 40 year collaboration with Clint Eastwood.

Mark Mangini and David White, nominated this year for Mad Max: Fury Road, talk about the challenges of managing such an epic production.

In this exclusive SoundWorks Collection sound profile we feature Supervising Sound Editor and Sound Designer Martín Hernández and Re-recording Mixer and Supervising Sound Editor Randy Thom discuss their recent collaboration on the film The Revenant.

In this exclusive SoundWorks Collection interview we talk with music and dialogue Sound Re-recording Mixer Paul Massey about his work on Director Ridley Scott's The Martian.

This week we talk with Composer Jack Wall about his work on the critically acclaimed Call of Duty: Black Ops III video game.

In this exclusive SoundWorks Collection sound profile Jon Burlingame talks with Composers Mychael and Jeff Danna about their recent work on the Pixar film The Good Dinosaur.