The Oxford Comment
Latest Episodes
Leading Professionals – Problems Lurking in the Modern Professional Organization
Professor Laura Empson, author of the recently pu…
Angels we have heard on high — Benjamin Harlan
For SATB (with divisions) and piano Benjamin Harlan’s spirited arrangement of the French carol ^IAngels we have heard on high^R has an energetic drive, a sparkling piano part, and a joyful refrain. Its sprightly 7/8 metre brings a fresh take to this pe...
A Coventry Carol — Malcolm Archer
For SATB and organ This welcome original setting of the much-loved 15th-century Coventry carol text features a compelling interplay between choir and organ and a contrast of full and ^Ia cappella^R textures.
O praise God in his sanctuary — Francis Jackson
For SATB and organ Francis Jackson’s spirited setting of Psalm 150 is steeped in the English choral tradition. With contrapuntal writing, engaging interplay between choir and organ, effective word painting, and virtuosic organ writing,
Sanctus and Benedictus from Mass for All Saints — Gabriel Jackson
For SATB and organ The ^IMass for All Saints^R is a captivating setting of the Latin Missa brevis. The accessible choral lines, idiomatic organ part, and colourful harmonies make this an ideal work for choirs looking for a fresh take on familiar words.
How can I keep from singing? — Sarah Quartel
For SATB unaccompanied This lively reimagining of the traditional hymn is a thrilling a cappella arrangement which pairs the soaring legato melody with a rhythmic vocal accompaniment. Together, these elements capture both the gentle hope and the profou...
O sing unto the Lord — Bob Chilcott
For SATB and organ Chilcott’s setting of Psalm 96 is bright, optimistic, and celebratory. The sparkling organ part and fluctuation between 7/8 and 4/4 metres give the opening and closing sections a dance-like feel, while the central section is still,
O clap your hands — David Bednall
For SATB unaccompanied This high-energy, majestic setting of well-known words from the psalms is a welcome addition to the service repertory. The changing metre brings the text to the fore, and the semiquaver movement that passes between parts creates ...
Psalm 105 — Dominic DiOrio
For SATB and organ This piece sets the first six verses of Psalm 105 in a song of praise packed with energy and fervour. A spirited organ part is present throughout, with spritely triplet figurations set against long, melodic lines in the voices.
Mexican Women’s Self-Expression through Dress – Episode 43 – The Oxford Comment
Our host for this episode is William Beezley, Professor of History at the University of Arizona and Editor in Chief of the Oxford Research Encyclopedia of Latin American History. He moderates a roundtable discussion with historians Stephanie Wood and S...