MuSA 2013
Latest Episodes
Can a sine-tone be ausdrucksvoll?
November 08, 2017
Dr John Dack (Middlesex University, UK) 2013 © IMWI / HfM Karlsruhe
Musical Research Today - Situation and Perspectives
November 08, 2017
Philippe Manoury - Keynote Presentation 2013 © IMWI / HfM Karlsruhe
The Composer isn’t There: a Personal Exploration of Place in Fixed Media Composition
November 08, 2017
Dr Hilary Mullaney (Plymouth University, UK; DkIT, Ireland) 2013 © IMWI / HfM Karlsruhe
From the Scientific to the Sonic: Compositional and Performative Approaches in DNA for Solo Voice
November 08, 2017
Dr Nina Whiteman (Royal Northern College of Music, UK) 2013 © IMWI / HfM Karlsruhe
Sabda Vidya – Composing that Involves Software/Machine Agency
November 08, 2017
Dr Miroslav Spasov (University of Keele, UK) 2013 © IMWI / HfM Karlsruhe
Invoking the Interface of the Fantastic: Todorov, Music and Composition
November 08, 2017
Matthew Sergeant (Royal Northern College of Music, UK) 2013 © IMWI / HfM Karlsruhe
Lachenmann’s Gran Torso: A Phenomenological Approach
November 08, 2017
Luisa Balaguer (Universidad Internacional de Andalucía, Spain) 2013 © IMWI / HfM Karlsruhe
Morton Feldman and the Aesthetics of 'Surface'
November 08, 2017
Dr Francis Heery 2013 © IMWI / HfM Karlsruhe
MuSA-Symposium – Music and Sonic Arts (24 – 26. Mai 2013). The principal aim of MuSA 2013 is to advance interdisciplinary investigations in – as well as between – music and sonic art. Even if widely divergent on the surface, there are various overlaps be
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