MuSA 2013
Latest Episodes
Historical Development of Audio-visual Interaction and its Psychophysiological Bases
ElenaAnisimova (Institut für Musikwissenschaft und Musikinformatik, Karlsruhe, Germany) 2013 © IMWI / HfM Karlsruhe
Steps Towards an Integrated Computational Paradigm of Musical Meter
Bernd Härpfer (Institut für Musikwissenschaft und Musikinformatik, Karlsruhe, Germany) 2013 © IMWI / HfM Karlsruhe
Mimetic Sound Composition: A Compositional Concept
Vincent Wikström (Institut für Musikwissenschaft und Musikinformatik, Karlsruhe, Germany) 2013 © IMWI / HfM Karlsruhe
Chinese‐Western Syncretism: On Performing the Piano Works of Chen Yi
Prof Dr Kiu Tung Poon (University of Saint Joseph, Macau, China) 2013 © IMWI / HfM Karlsruhe
Classical CD Consumption in Japan
Dr Katsura Koishi (Kyoto University, Japan) 2013 © IMWI / HfM Karlsruhe
Tactile Cultures and the Aesthetics of Pianistic Touch
Prof Dr Mine Doğantan-Dack (Middlesex University, UK) 2013 © IMWI / HfM Karlsruhe
The Spectre of the Composer: Self-inscription in Musique Concrète
Dr Robert Dow (University of Edinburgh, UK) 2013 © IMWI / HfM Karlsruhe
Concrete or Concrète?: An Ontological Account of Acousmatic Music
Dr Adam Stansbie (University of Sheffield, UK) 2013 © IMWI / HfM Karlsruhe
Lost in Translation? A Listener’s Perspective on Musical Performance
Prof Dr Per Dahl (University of Stavanger, Norway) 2013 © IMWI / HfM Karlsruhe
The Role of Virtuosity in Electroacoustic Performance
Jane Dickson & Dr Sebastian Lexer (University of East Anglia, UK) 2013 © IMWI / HfM Karlsruhe
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