With the film Ferrari, cinematographer Erik Messerschmidt, ASC has now had the opportunity to work with two huge directors: Michael Mann and David Fincher. In 2021, Erik won the Academy Award for Best

Cinematographer Catherine Goldschmidt was thrilled to be the DP for House of the Dragon, episode eight, The Lord of the Tides. It was a huge behemoth of a production, with many cast and crew members

Flamin' Hot is an entertaining biopic about Richard Montaez, a janitor at the Frito Lay chip factory who rose to become a marketing executive after (he claims) he came up with the idea for Flamin' Ho

Cinematographer Linus Sandgren believes that films don't always have to look pretty. A film should look appropriate for the story we're telling. It's about communicating the emotions of the film. And

As a production assistant first coming up in the film and television industry in New York, Josh Friedman always saw his fellow crew members not as job competition, but as collaborators. Once he'd move

For the second season of the Marvel series Loki, cinematographer Isaac Bauman decided to bring his own unique look to the show, especially when it came to the lighting design. Loki Season 1 DP Autumn

The film Are You There God? It's Me, Margaret is an adaptation of the 1970 Judy Blume book about a pre-teen girl coming of age. Cinematographer Tim Ives, ASC was drawn to working on the film because w

Cinematographer Robert Yeoman has been a consistent collaborator with director Wes Anderson since the 1990's. Together, Bob and Anderson have crafted a signature visual style that combines meticulous

With the passing of director and cinematographer John Bailey, ASC, we are re-releasing our 2021 interview with him. He discusses his work on the film, Groundhog Day, and briefly touched on his other w

The Holdovers is set in the early 1970's at a New England boarding school where a few students have to stay on campus over the winter holidays. Cranky ancient history teacher Paul Hunham (Paul Giamatt