The Cinematography Podcast Episode 327: Bryn Mooser and Paul TrilloBryn Mooser and Paul Trillo of Asteria on AI in filmmakingAsteria, an AI-driven film and animation studio, recently merged with Moonvalley, an AI research firm, to create generative vi

The Cinematography Podcast Episode 326: Matthew Libatique, ASCCinematographer Matty Libatique, ASC, has had a productive year. Shortly after moving to New York, he began work on Spike Lee's film, Highest 2 Lowest. Immediately after wrapping that project

The Cinematography Podcast Episode 325: John Conroy, ASC, ISCFor the Netflix six-part political thriller, Zero Day, cinematographer John Conroy, ASC, ISC worked with director Lesli Linka Glatter to create a visual style that felt grounded in reality. Th

The Cinematography Podcast Episode 324: Producer, Director, DP Dana Gonzales, ASC - Dana Gonzales, ASC is a producer, director, and cinematographer known for his collaborations with visionary showrunn

The Cinematography Podcast Episode 323: Cinematographer Larkin Seiple - Cinematographer Larkin Seiple was ready to take a well-deserved break after wrapping the film Wolfs when director Zach Cregger s

The Cinematography Podcast Episode 322: Matthew Chuang, ACS - Chief of War is a historical drama series from Apple TV+ co-created by and starring Jason Momoa. The show features a primarily Pacific Isl

The Cinematography Podcast Episode 321: Cinematographer Matt Lewis - In the limited Netflix series Adolescence, each episode unfolds as a single, uninterrupted take, a cinematic choice that immediatel

The Cinematography Podcast Episode 320: Cinematographer Matt Ball - For cinematographer Matt Ball, shooting the National Geographic five part documentary series Tucci in Italy was a delightful experie

The Cinematography Podcast Episode 319: Christopher Ross, BSC - The Peacock series The Day of the Jackal, a modern update of the film and novel, is an exhilarating cat-and-mouse thriller. It follows a

The Cinematography Podcast Episode 318: Michael Dallatorre - In the film Locked, cinematographer Michael Dallatorre faced a unique challenge: how to make a story primarily set inside a luxury SUV visu