5 THINGS - Simplifying Film, TV, and Media Technology
Latest Episodes
Post Production Myths Vol. 1
Transcoding to a better codec will improve quality Log formats are the same as HDR You can grade video on a computer monitor You can fix audio distortion Storage is the same as capacity
Offline / Online Workflows for Film, TV, and Media
What is an offline/online workflow? What are some examples? What are the benefits? What are the downsides? Is there a hybrid?
Choosing The Right Video and Audio Editing Computer System
Mac, PC,...Linux? CPU GPU and RAM Boot "Drive" and Internal Storage What would you choose?
Audio Restoration for Video Editors
Dialogue Clarity Noise Reduction Reducing Reverb Levels and Placement Last Tips
Media Archive
What is Archive? What does Archive fit in? What Archive options are there? How do I plan for Archive? How much does Archive cost?
Asset Management
What is Asset Management? What's the difference between DAM, MAM, and PAM? What options should I be looking for? How do I prepare for asset management? How much does asset management cost?
VR and 360 Video
What is VR? How do I shoot VR? How do I edit VR? How do I watch VR? What's the future for VR?
LTO
What is LTO? Why should I care? What are the downsides of LTO? What tech do I need to use LTO? How much does LTO cost?
HDR – High Dynamic Range
What is HDR? How do I shoot HDR? How do I edit HDR? How do I view HDR? What's the future of HDR?
Shared Storage Part 3: Management, Permissions, and Support
Why do permissions matter? How do I share projects and media? What management features should I look for? What kind of support do I need? What shared storage solutions do you recommend?