Where do we find people to talk to about our reading? And what do we say when we find them?

What do we mean by uncertainty in reading? And why do we have to look for it?

What questions do we carry with us as we leave Marvell's famous poem?

Who is the speaker in this poem? Who the audience? Who the Marvell?

We trace Marvell's poetry back to its perhaps distressing roots.

What did Marvell know and how did he use it? We look at the sexism in the poem and discover how this provocation is hardly unique in the carpe diem tradition.

What do we do with--how do we read--can we make us of--a classic and famous metaphysical poem which is also misogynistic?

We consider who is accountable for the text: author, character, or reader, and how writers build a narrative distance in texts to allow irony and meaning to operate (and shirking a bit of accountabili

What is Literary Nomads, anyway? And what does that have to do with Radiohead, Godzilla, professorial assault, and irony?

The final of three full interviews from the book launch of my poetry book Unwoven. Here, poet Kelly Porter and I discuss how consciously writers might think about structure.