Ethan Allen is lionized as the founding father of Vermont. But filmmaker Jay Craven has reimagined the story of the Revolutionary War figure and leader of the Green Mountain Boys to tell a fuller story of patriotism laced with greed and ambition. 

In Craven’s latest epic film, “Lost Nation,” Ethan Allen meets Lucy Terry Prince, a formerly enslaved woman in Guilford who scholars believe was the nation’s first African American poet. The improbable duo have a shared conviction to protect their land and people. Their fictionalized connection lies at the heart of Craven’s saga.

“Lost Nation” opens with a quote from Pulitzer Prize-winning novelist Alice Walker, who wrote, “All history is current.”

“One of the questions we pose in the film is whether the promise of the American Revolution would be fulfilled,” said Craven. “There was a belief and a hope that slavery would be abolished as a result of the American Revolution. Of course, that did not happen. And some of the racial tensions of that time, unfortunately, have persisted … And today we're facing the problem of even banning African American history.”

“Maybe this film itself would be banned, frankly, because it tells some African American history about struggle,” he mused.

Jay Craven is one of Vermont’s cultural visionaries. He is a founder of Catamount Arts, co-founder of Circus Smirkus, and co-founder of Kingdom County Productions, which he runs with his wife, documentary filmmaker Bess O’Brien. Craven has directed 10 films, including “Where the Rivers Flow North” (1993), “Disappearances” (2006) and “Northern Borders” (2013). 

Craven is also artistic director of the Middlebury New Filmmakers Festival and a former professor of film studies at Marlboro College. 

Craven attended Boston University, where he was student body president and led protests against the Vietnam War. He formed a lifelong friendship with radical historian Howard Zinn and traveled with a student peace delegation to North Vietnam.

Filmmaking is an extension of Craven's lifelong social justice mission. Some 45 students from 10 colleges were involved in making “Lost Nation,” part of his commitment to empowering a new generation of filmmakers through Semester Cinema.

Making films “gave me voice, it gave me agency and also instilled in me a certain activism that became a guiding force when I moved to Vermont in wanting to work within the arts to connect communities and to work with this idea of community and culture,” Craven said. “Making movies based on stories from where I lived, as an alternative to the Hollywood narrative, was part of that activism.”