Cinematography, broad lighting and portraits; Story & Writing, layers, freezing time, power of groups, Celine's writing process; and other such stuff and things and stuff.

Cinematography, transitions, locations, power of choreography; Story & Writing, layers of stories, stuntmen, how we all tell our own stories; and other such stuff and things and stuff.

Cinematography, realizing dream states; Story & Writing, metaphors, redeeming broken people; and other such stuff and things and stuff.

Story & Writing, opening scenes, voiceover, structure, exposition; Cinematography, inserts as storytelling, color for storytelling, how voiceover impacts the coverage; and other such stuff and things

Cinematography, dolly moves, unmotivated lighting; Sound, shootout realism, sound design, Moby music; Story & Writing, good guys and bad guys, runtime, And other such stuff and things and stuff.

Cinematography, oners, breaking up the frame with style and tone; Story & Writing, immigration, symbolism; and other such stuff and things and stuff.

Cinematography, contrast, perspective; Story & Writing, voiceover; and other such stuff and things and stuff.

Cinematography, contrast; Story & Writing, voiceover, setting up stakes, character arcs; and other such stuff and things and stuff.

Cinematography, wide framing; Story & Writing, character development, plague; and other such stuff and things and stuff.

Cinematography, center framing; Story & Writing, dry humor, heart; Todd recounts his experience of working as a background extra in Rushmore; and other such stuff and things and stuff.