Bonnie Wild, the sound effects editor and re-recording mixer of Disney+’s hit show The Mandalorian, takes us behind the scenes for a conversation about achieving cinematic scale and production value on a television budget.

This week we chat with Composer Kris Bowers about his recent work on the Hulu show, Mrs. America and the challenges of completing his score during the COVID-19 pandemic.

In this exclusive roundtable conversation we talk with documentary Director Brandon Vedder and re-recording mixer Tony Villaflor about their work on the biographical music documentary, Strange Negotiations.

In this episode we chat with re-recording mixer Eric Fischer from Autumn Audio who worked on the new Youtube music documentary, Coachella: 20 Years in The Desert‎.

James Mockoski, head of production and archives at American Zoetrope joins us this week to discuss his work supervising the restoration department for Director Francis Ford Coppola’s production company.

In this episode we chat with Crip Camp Directors James Lebrecht & Nicole Newnham about how the project developed, structuring their complex storyline and the deeper issues the film addresses.

From the creators of Ori and the Blind Forest - the acclaimed adventure game with more than 50 awards and nominations - comes the highly-anticipated sequel, Ori and the Will of the Wisps.

We chat with Miles Rogers from Meyer Sound about a wide range of cinema focused speakers including the Bluehorn System, Amie Precision Studio Monitor, HMS Cinema Surround Loudspeakers and the VLFC (Very Low Frequency Control Element).

In this episode the sound team talks about the carving out moments for internal character sounds to come through, the process of tracking down the original cars to keep the film sounding real.

As a large-scale historical film, 1917 creates an intense and realistic soundscape of World War I. We talk with the sound team, nominated for Best Sound Editing and Best Sound Mixing, about the challenges and fun experiences that arose from this film.