In this episode, 10-time Academy Award nominee Anna Behlmer talks about being one of the first female mixers in the movie business, strategies for handling a nervous director, and why you will always find colored Sharpie pens on a mixing stage.

Game soundtracks are no longer about the beeps and bloops of our childhood past. Explore the sound design from Naughty Dog Studios featuring Rob Krekel & Phillip Kovats of Naughty Dog Studios.

Skywalker Sound’s Director of Sound Design Randy Thom discusses with Dolby Institute’s Glenn Kiser how writers and directors can use sound as a tool to tell their stories.

This week we talk with Composer Bear McCreary about his work on the first season of the Starz show Outlander, the epic new series from Ronald D. Moore based on Diana Gabaldon’s epic novels.

This week we talk with Matt Hines who is a Product Manager for Post Production at iZotope.

In this exclusive SoundWorks Collection video we talk with Tabitha Jackson, Director of the Sundance Institute's Documentary Film Program, Randy Thom, Director of Sound Design at Skywalker Sound and Creative Advisors Todd Boekelheide and Miriam Cutler.

This week we spoke with New York based Music Supervisor Randall Poster. His career started working on the 1995 breakout film "Kids" soon followed by Director Wes Anderson indie film "Bottle Rocket".

In this SoundWorks Collection sound profile we talk with Director Brett Morgen and his sound team including sound designer and re-recording mixer Cameron Frankly and sound and music editor Jon Michaels about their work on Kurt Cobain: Montage of Heck.

This week we met up with Re-recording Mixer Greg Russell who has mixed more than 195 feature films and has been nominated for 16 Academy Awards™, 11 Cinema Audio Society awards, two BAFTA and two Emmys, with one Emmy win.

This week with spoke with the Playstation Music Group including Senior Music Manager Jonathan Mayer, Music Producer Matt Levin, and Senior Music Editor Scott Hanau about their working supporting various video game titles.