Composer Takeshi Furukawa had the incredible task of creating the musical score for The Last Guardian, which is best described as a traditional orchestral fantasy score.

Composer Lorne Balfe [TERMINATOR GENISYS, CHURCHILL, THE STORY OF GOD WITH MORGAN FREEMAN] is a Grammy Award-winning, EMMY and BAFTA nominated film composer from Inverness, Scotland.

In this exclusive SoundWorks Collection music profile writer Jon Burlingame chats with Oscar nominated composer Justin Hurwitz about his work on Director Damien Chazelle's new musical La La Land.

In this exclusive SoundWorks Collection music profile writer Jon Burlingame chats with Oscar nominated composer Dustin O'Halloran about his work on Director Garth Davis's film LION.

Writer Jon Burlingame chats with Oscar nominated composer Nicholas Britell about his work on Director Barry Jenkins film Moonlight. Video sponsored by AVID (www.avid.com) and Savannah College of Art and Design (www.scad.edu)

In Part 1 of this episode, Steve Morrow (Best Sound Mixing) Part 2, Ai-Ling Lee (nominated for Best Sound Editing and Best Sound Mixing) and Mildred Iatrou (Best Sound Editing).

Sylvain Bellemare and Barnard Gariépy Strobl discuss the unique challenges of building the soundscapes of the alien heptapods and managing their multi-national crew working in Paris, Montréal, Los Angeles, and New Zealand.

Renée Tondelli (Best Sound Editing) joins us for an in-depth exploration of the sound design of Peter Berg’s film, for which she is nominated with Wylie Stateman.

Kevin O’Connell (Best Sound Mixing), celebrating his 21st Academy Award nomination, joins first-time nominees Robert Mackenzie and Andy Wright (double nominees for Best Sound Editing and Best Sound Mixing).

Two-time Academy Award winner Alan Murray (Best Sound Editing) joins us to discuss his 37th film in collaboration with director Clint Eastwood, for which he has received his ninth Oscar nomination.