Dave and Darren discuss with Mike Schulz re Cate Blanchett getting #MeToo’d in TÁR; the power of Danielle Deadwyler’s performance of Emmett Till’s mother in Till; how unfortunate Call Jane is for being well-meaning, despite the worthiness of its subject matter (the late-Sixties/early-Seventies Jane Collective, the group of Chicago women who, with considerable personal risk, arranged for other women to have safe, illegal abortions until the 1973 Roe v Wade decision); and a “cruddy PG-rated Exorcist rip-off” that is Prey for the Devil.

Code of Conductor: “TÁR,” “Till,” “Call Jane,” and “Prey for the Devil”