Mike, Dave, and Darren discuss why Mike has been liking practically everything he’s seen lately (exaggeration); how “The Woman King” has rightfully received critical and commercial acclaim; how “God’s Country” is tight and intense, and you should catch it when it streams because it’s left the cinemas; how “See How They Run” is a fun real-world mirror of the plot points to Agatha Christie’s “The Mousetrap”; how “Pearl,” a prequel to the movie “X,” looks like a Fifties Technicolor melodrama set during the Spanish flu epidemic (description, not judgment); and “Confess, Fletch” (also gone), with Jon Hamm’s comedic range on full display.

“The Woman King,” “God’s Country,” “See How They Run,” “Pearl,” and “Confess, Fletch”