Episode 445 with Mary Robertshosted by Zeinab Azarbadegan Download the podcast Feed | iTunes | GooglePlay | SoundCloud The line between Orientalist and Ottoman painting might at first seem clear. But in this episode, historian Mary Roberts argues that such distinctions are in fact complicated, drawing on her recent book Istanbul Exchanges: Ottomans, Orientalists and Nineteenth-Century Visual Culture. She explains how Istanbul became a global center of production, circulation, and exhibition of visual culture in the nineteenth century. Ottomans and Orientalists both contended and connected with each other--whether in Pera or in the palace--and Roberts discusses how these networks of patronage and apprenticeship eventually led to works that were produced in Istanbul ending up all around the world. There they became defined as Orientalist, but Roberts unearths the more tangled genealogy of their production, as well as the relevance of audience in these characterizations.  « Click for More »