Losing Ground (Collins, 1982) should have been a lot of things. It should have been the foundation of a long career and important filmography. Instead, what it was was almost lost and mostly forgotten for three decades.

There is a question I pose during the episode: if anyone who disparaged the French New Wave started with Cléo from 5 to 7 (Varda, 1962), might they feel differently about the movement? I think so. If you are looking for a place to begin pretty much any...

I had the pleasure of seeing Rainer Werner Fassbinder’s World on a Wire (1973) for the first time on the big screen. Being able to experience it in the theater as one whole, instead of on television in two parts,

The day after I saw The Matrix (Lana and Lilly Wachowski, 1999), I proclaimed to anyone within shouting distance that the film changed my life. I was 23, and I meant it. I felt energized, bowled over, and ready to deliver some flying kicks to the estab...

It’s taken 125 episodes and almost five years of doing the show, but I’m finally ready to talk about John Cassavetes’ A Woman Under the Influence (1974). This film puts me through the ringer in a way that no other film comes close to.

Whom do you trust? Mattie Do’s Dearest Sister (2016) plays on our expectations of trust and seeks to upend them at every turn. Just as Ana may not be able to trust her failing vision that seems to bring with it visitations from ghosts,

Věra Chytilová’s Daisies (1966) has been called a lot of things – confrontational, subversive, empty-headed, wanton. The elusive nature of the film means you can call its protagonists, the Maries, a lot of things. Just don’t call them late for dinner.

In A New Leaf (1971), Elaine May’s screenwriting and directorial debut, I think you will see the legacy of her indelible comedy partnership with Mike Nichols even though they had disbanded the act ten years before. It is in the daft sensibility,

Welcome to Ants In Your Pants of 2019! It’s our fifth annual episode in which we reflect on our favorite film discoveries of the past year. We are so glad you joined us for this episode, and hope that you also had great cinema-watching adventures.

A few years back I was introduced to Mehmet Aslan’s Tarkan Versus the Vikings (1971) in the best way possible – at Fantastic Fest in an auditorium full of like minded genre film fans that were ready to have their minds blown.