As both a composer and singer, Kristin Norderval is inspired by hybridity, interactivity and the idea that everything we do is site-specific. In her operas, chamber works, sound installations, and music for dance and theater, she blends acoustic and electronic sound, de-tuned instruments, voices, machines, and the acoustic resonance of space. Having trained in both composition and classical voice, Kristin first earned her living as a soprano soloist with a focus on contemporary music, particularly American composers. She performed and recorded works by, and often alongside, composers such as Philip Glass, John Cage, Pauline Oliveros, George Crumb and many others. Returning to composition after her 40^th birthday, she continued to focus on the voice as her primary sonic material. Her solo CD of work for voice and electronics - Aural Histories - was listed by The New Yorker music critic Alex Ross as one of “Ten Notable Classical Music Recordings of 2012”. Her opera The Trials of Patricia Isasa (2016) won Quebec´s OPUS prize for best contemporary music and best production. Kristin holds a PhD in Artistic Research from the Oslo National Academy of Arts, Academy of Opera in Norway. www.kristinnorderval.com