We watched tremors and I have to say that this may be the epitome of a made-for-TV-movie feeling movie. I’ve seen it 20 times and I’ll see it 20 more during my life, and that’s a good thing.

* (0:27) - Intro* (8:30) - Trailer* (10:15) - Synopsis* (14:20) - Review* (21:15) - Score* (31:30) - Spoilers* (1:20:30)  - Final Recommendations* (1:23:40) - Baconator* (1:33:53) - It Came From Social Media* (1:47:15) - Outro and Thanks

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Synopsis

Tremors follows Val (Kevin Bacon) and Earl (Fred Ward) in their attempt to leave Paradise Valley, Nevada, while doing odd jobs and handyman work. As they make their way up and down the valley between odd jobs and quirky small-town characters they begin to notice a string of seemingly related ground-level killings. 

Upon meeting up with a grad student, Rhonda (Finn Carter) who is doing some important if timely seismic research, they learn that there are a bunch of little earthquakes - or tremors - happening all over the valley. 

Before they jump the gun on declaring that there is a 100 foot tall, 200 ton serial killer on the loose, they find evidence of a subterranean suspect. A worm of sorts. 

The rest of the movie is spent running for their lives from an unlikely, if terrifying phenomena with a ton a quirky townsfolk.

https://youtu.be/liJfZvXdiTE

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Review

Tremors, by director Ron Underwood, is one heck of a solid movie. It’s basically a monster movie, but it feels a bit more like an action-thriller to me because of all the action and adventure that takes place, along with lots of changes of scenery and methods.

Tremors is a nearly perfect movie in terms of it’s script, who we have S.S. Wilson and Brent Maddock to thank for . Everything that is said or mentioned is followed-up on or ruled-out at some point in the movie. Almost nothing extraneous or unneeded is mentioned, and all the characters play a wonderful role in making Paradise Valley a believable place.

Maybe the best part of Tremors is it’s intense focus on the characters instead of the monster. Sure, we see the monster but the focus of every scene is on the characters and getting the audience to empathize with them. This forces a pivot in the otherwise fucked-out monster movie paradigm. It’s why Jaws was great, and it’s probably no coincidence that this is essentially a Jaws remake - even down ...