(Hansel and Gretel Movie)

We saw Gretel & Hansel in theaters and I was pleasantly surprised with something that might not be the most groundbreaking film we’ve ever watched, but it succeeds admirably at breathing new life into this classic Grimm fairy tale.

* Intro - (0:41)* Trailer - (7:40) * Synopsis - (9:52) * Review - (11:11) * Score - (16:48) * Spoilers - (22:56) * Final Recommendations - (54:30) * Taglines - (55:34) * It Came From Social Media - (1:25:05) * Outro - (1:38:10)

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Gretel & Hansel Trailer

https://youtu.be/QZblQLhKcZQ

Gretel & Hansel Synopsis

Gretel & Hansel is a reimagining and retelling of; you guessed it, Hansel and Gretel - the classic tale that warns kids not to take candy from strangers. Well, the kids are back and they have a sweet tooth.

Gretel & Hansel is the third film from director Oz Perkins, who also did a cult favorite, The Blackcoat's Daughter.

This story retains all the crucial elements of the story. There are two kids (Sophia Lillis from IT as Gretel and Samuel Leakey as Hansel) who are unceremoniously kicked out of their house in the times of yore by their mother who can’t afford to feed them. 

They kick
around the woods for a while, starving and scared, jostled by a world that is
cruel and spooky before stumbling upon a house out in the woods. 

This house
is owned by Barbara Crampton’s final form, Holda the witch (Alice Krige). The witch lures the kids in with delectable food, but she seems,
kind of evil.

Well, she
is evil.

Gretel & Hansel Review

To me, it is surprising that Gretel and Hansel got as wide a release as it did because it has “current indy horror movie” written all over it. Also January, February, and March of 2020 is about as chalk full of horror as any year that I can recall.

Gretel and Hansel takes a slightly different approach to the classic and makes it a coming of age story for our female protagonist.

This movie drips with aesthetic and I swear to God the witches’ house is made by the same architect as the house from Ex Machina. Very sparse, norse sensibilities are present in the scenes, which, if you are a fan of our show, you know we love the Scandinavians and their sensibilities. 

The
brooding, doom-laden feel of this movie is a great way to take something as
classic as Hansel and Gretel and make me care. Every corner of this film is
foreboding and off-feeling. 

The lighting is so dark that it reminded me of the Daniel Day-Lewis, Lincoln flick from 2012.