A lot of us have heard of biblical terms like Pentateuch, Torah, textual criticism, documentary hypothesis, but we probably don’t understand what they clearly mean.  In our next conversation with Colby Townsend, we’ll define these terms and get more acquainted with Old Testament scholarship.  We will start off with how scholars determined the different authors of the Torah, and dating Old Testament events.

Colby:  So someone like Jean Astruc, actually wasn’t trying to create a new academic method for explaining why Moses didn’t write the Bible or something like that. He was actually somewhat of an apologist as well. He was trying to defend the Bible against the more critical work. So, for him, as he explained himself, the solution for him was to actually take the first part of Genesis, and to separate it into two columns. This is where you get the different sources. So, he started to notice the different use of the Divine Name.
So you have YAHWEH, as I pronounce it, most likely in Hebrew, and you have Elohim. He noticed that in Genesis 1, it is just Elohim. In Genesis 2, at least after verse four and on, it’s just Yahweh. I should note too, that often, in Christian circles, that name is just thrown around as either that pronunciation, similar to that or Jehovah, but it’s a very delicate name within Judaism, Hashem, or Adonai. Hashem is the name, usually what’s most commonly used. Bu Jean Astruc notices that the names are used completely differently. So he separates it into two columns. That’s where you first get the approach, to have what I think what he called was P–well, he didn’t call it that yet. He basically just called it the two…
GT:  It was J for Yahweh or Jehovah.
Colby:  Yes, but, early on, the other one was called E. You’re right. It wasn’t until much later, maybe even Wellhausen in the late 19th century, that it then becomes J and E, but E is no longer Genesis 1, P is.  Then you have J, E, P, D. But it’s a long development to get to the actual documentary hypothesis.
Check out our conversation….
426:  Intro to InIntro to Documentary Hypothesis