The Apple TV+ series Black Bird is cinematographer Natalie Kingston's first experience shooting a television show. As the sole DP for the 6-episode series, she enjoyed the ability to create the look o

Cinematographer Anastas Michos ASC, GSC humbly calls himself a journeyman cinematographer. However, after 25 years and multiple awards, Anastas possesses expert skill and versatility that can be seen

With five different projects set to come out this year, Danish cinematographer Dan Stilling, DFF is finding fulfillment and pleasure in his career path. He's learned that even when working with a larg

Author Katharine Coldiron wrote her book, Junk Film: Why Bad Movies Matter around thirteen essays exploring movies from the 1940's to the 2010's. Ed Wood's Plan 9 From Outer Space, Attack of the 50 Fo

Jon Joffin, ASC has learned the importance of staying creative, committed and inspired during shoots. In his long career as a cinematographer, Jon has learned how to work on a team, manage people, and

Cinematographer Todd A. Dos Reis, ASC went to USC Film School a few years ahead of The Blackening director Tim Story. There were so few Black filmmakers at school that they knew of each other. Once To

Director Scott Leberecht began his filmmaking career as a visual effects art director at Lucasfilms Industrial Light & Magic. His latest documentary film, Jurassic Punk, is about his fellow ILM effec

We welcome back cinematographer Larkin Seiple, who was the cinematographer for the Best Picture winner, Everything Everywhere All At Once. Larkin's most recent project was the Netflix series, Beef. -

Multihyphenate producer-director-cinematographer and all around talented guy Randall Einhorn is currently the executive producer and director of the award-winning ABC show, Abbott Elementary. Randall

We finally welcome George Feucht, friend of the Cinepod and frequent collaborator of Ben Rock's. George has shot many of Ben's directorial projects, such as the web series, 20 Seconds To Live and the