Breaking the Glass Slipper: Women in science fiction, fantasy, and horror
Latest Episodes
Moving the frontier – with Stark Holborn
The frontier. The edge of civilisation. So far from the central government that laws are more like ‘guidelines’. Where the sheriffs are crooked and the criminals ruthless; trains rarely go un-sacked a
Moving the frontier – with Stark Holborn
The frontier. The edge of civilisation. So far from the central government that laws are more like ‘guidelines’. Where the sheriffs are crooked and the criminals ruthless; trains rarely go un-sacked and the cattle drive never goes to plan. Oh,
Chosen Identities – with Charlie Jane Anders
Our identity is who we are. But for such a seemingly simple concept, our identities are extremely complex. We aren’t the only ones who decide our identities. Society places labels on us that we often
Chosen Identities – with Charlie Jane Anders
Our identity is who we are. But for such a seemingly simple concept, our identities are extremely complex. We aren’t the only ones who decide our identities. Society places labels on us that we often don’t feel represents who we are, or worse,
Franchise writing with Una McCormack
The basic principles of writing a book are simple – come up with an idea, write it. Of course, it isn’t really that simple, it is a lot of hard work, but that’s about the size of it, right? Well, not
Franchise writing with Una McCormack
The basic principles of writing a book are simple – come up with an idea, write it. Of course, it isn’t really that simple, it is a lot of hard work, but that’s about the size of it, right? Well, not always.
Making the ordinary monstrous with Catriona Ward
Why do we need monsters in our fiction? Why do we want to be frightened? When they pick up a book, do readers enter into a pact with a writer, as Catriona Ward describes: a pact that says I share your fear, let’s face it together?
Making the ordinary monstrous with Catriona Ward
Why do we need monsters in our fiction? Why do we want to be frightened? When they pick up a book, do readers enter into a pact with a writer, as Catriona Ward describes: a pact that says I share your
Communities with Caroline Hardaker and Gabriela Houston
When you look, communities are everywhere. They can be the people where you live, the people who share the same interest as you, the people you volunteer with. They can be as small as a household or a
Communities with Caroline Hardaker and Gabriela Houston
When you look, communities are everywhere. They can be the people where you live, the people who share the same interest as you, the people you volunteer with. They can be as small as a household or as big as a city. Communities, societies,





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