Besa Luci in conversation with Kaltrina Krasniqi and Kumjana Novakova. 

In this episode, we will be talking about contemporary cinematography in the region. 

The region has always been rich in filmmaking. Each generation of filmmakers, as well as each country, has had its own political and cultural trajectory that played a role in shaping their relationship to cinema. Yet, there are also commonalities, be it in terms of thematic approach, artistic sensibility and language, or the obstacles in production and distribution. 

In regard to contemporary filmmaking, a potential common thread that emerges is the idea of chronicling the nation. The ways in which this storytelling is conducted are continually evolving – from examining narratives of war from a perspective of aftermath and trauma, investigating personal and collective archives to shed light on histories that could be forgotten, to tackling identity and gender roles through an increasingly intersectional understanding of historical experiences of oppression.

Yet, such themes and entry points into film are not exclusive to the region. These approaches are widespread and take into account the cultural and historical nuances that shape different political realities. This is just one of many reasons that film professionals from the region have critiqued the tendency to box their films into a “specific Balkan experience” -- a label that not only locates the films geographically and culturally, but that also risks being internalized into the gaze applied to the telling of a story. 

This is one of the issues explored in this episode. Others include; the contribution that women filmmakers have been making in expanding the historiography of film; the responsibility filmmakers carry as storytellers informing our understanding of the world; as well as the difficulties independent filmmakers face in producing and distributing their work.

Two guests join us to discuss these topics.

Kaltrina Krasniqi is an award winning Kosovo based film director and researcher working in film and digital humanities since the early 2000s. Her debut feature film “Vera Dreams of the Sea” premiered in the 78th Venice Film Festival in 2021, which was awarded the Tokyo International Film Festival Grand Prix 2021 and the Ingmar Bergman Award at Gothenburg Film Festival 2022, among other accolades. 

Kumjana Novakova is a research-based filmmaker, film curator and lecturer. She is the cofounder, chief curator and director of the Pravo Ljudski Film Festival in Sarajevo. Her film “Disturbed Earth” has been shortlisted for the Academy Awards, and nominated for best feature-length documentary by the Doc Alliance. 

Other Talking Points is produced by Besa Luci and Aulonë Kadriu.

This podcast is part of the Human Rightivism project, which is funded by the Embassy of Sweden in Prishtina, implemented by the Community Development Fund through its Human Rightivism Program. The author’s views expressed in this publication do not necessarily reflect the views of the Embassy of Sweden in Prishtina.