Ivan Victor goes deep with what it takes to edit comedy versus scripted shows. You'll get the full, uncut, audio interview from our In the Cut episode with Ivan. He tells it like he is. Great guy. And thanks to our guest host Baron Vaughn. Other posts

We welcome John Suits and Gabriel Cowan of New Artists Alliance (Bad Milo, Extracted, Static) to the podcast. In this episode, we discuss how John and Gabriel grew their company from mostly micro budgeted films to larger scale projects on a consistent b

A photographer who has worked across multiple genres and styles, and for multiple legendary directors, Peter Deming is a consumate professional. Really there's just one key thing about Peter everyone should know: the man shot "Mulholland Drive". Think abo

IMPORTANT NOTE ABOUT THIS PODCAST: THE OFFICIAL INTERVIEW STARTS AT 12:00. Ed Lachman is one of the great modern-day masters of light and lens. He's left a mark on the craft of cinematography, through a combination of talent, insight, and intuition and

Roll up your sleeves and make it happen, kids. Zach Zamboni has gone into places that most DP's would shudder the the thought. Having shot for documentary and reality series, Zamboni has learned how to make silk purses out of sow's ears, and stuff them

Steve Cosens--for whom I said something moderately controversial--is a great DP. But let's get back to this controversial issue: in my interview, as you'll see right off the top, I refer to him as the "Canadian Roger Deakins". Steve rightly backed off an

Tom Richmond is an amazing personality and an amazing guy. Someone who has worked with masters and newbies alike, always bringing a commitment to making beautiful images, Richmond never quits on an image or a project. He has a love of photography, editing

Andre Turpin is a filmmaker with a capital F. Not afraid to get his hands dirty, and also not afraid of being a genuine artist, Andre genuinely loves what he does and loves the craft of film. One mark of a real artist is a demonstration of their ability

William Rexer isn't just a cinematographer, or an excellent cinematographer, though he is that as well. He's a filmmaker. William is the kind of guy who directors lean on, trust, and love to work with in a way that goes way beyond the set. Having shot p

Some cinematographers have a “look” and some focus on style, and then there are some that are just purely committed to their craft and their integrity as artists. Nigel Bluck is one such character, a man who is always searching for a sense of truth in