Spider-Man: Into the Spider-Verse developed a new approach to computer animation so as to translate the comic-book experience for the big screen. Academy voters took notice and awarded the film an Oscar for Best Animated Feature. One of the last things that moviegoers see before leaving the film is the hyperkinetic title sequence animated by visual studio Alma Mater. The sequence was featured at SXSW 2019 in a compilation of compelling title sequences, and it made enough of an impression that it won SXSW's jury-awarded Excellence in Title Design accolade. As part of my festival coverage of SXSW 2019, I sat down with title sequence co-director James Ramirez to learn more about what went into making the sequence. Some of the things we discuss include The different styles of animation that went into the sequence and how they put it together in Cinema 4D How they worked with the filmmakers behind Spider-Man: Into the Spider-Verse to supplement the ideas and characters of the film The way they implemented the half-tone look What filmmakers should keep in mind when planning for a title sequence # Related Episode To hear more about how vintage animation styles have influenced computer animation, check out this interview with Limbert Fabian and Brandon Oldenburg, Oscar-winning directors from Moonbot Studios, in Shreveport, Louisiana. # Sponsor for this Episode nsavides productions – I make videos and tell stories. Some of my videos are here. # Say hello: podcast@nsavides.com # Related Things Alma Mater Jame's site, friedpixels.com James on Instagram, Twitter This Art of the Title article provides an in-depth discussion with illustrations about how the title sequence came together. James gave a shout out to the Deadpool 2 title sequence. Imaginary Forces, one of the agencies whose work James admires, worked on titles for Stranger Things and Mad Men. Jack Kirby, an early Spider-Man artist, provided design inspiration for both the film and title sequence of Into the Spider-Verse.  While we didn't get to discuss this in the interview, James also did some motion graphics work on Stranger Than Fiction, a film that has been a big inspiration for me. My interview with Stranger Than Fiction's producer Lindsay Doran is over here. Shortcut for the podcast: nicksav.show Additional music for the show provided by Rob Costlow. Concept Art  Ben Apley, producer for Alma Mater's Into the Spider-Verse title sequence, graciously shared some images to illustrate how the concept developed. Visit show page to see. # If You Liked the Show Sign up for The nsavides Newsletter. Subscribe or leave an honest review:   Apple Podcasts   Spotify   Overcast Say hello on Twitter:  @nsavidesPRO Thank you for visiting!