Nikhil Hogan Show
Latest Episodes
137: Derek Remes
Intro Start What made you want to analyze Bach's 48 preludes? Every prelude in the book has been transposed to C or Am Is there one perfect analysis of Bach's compositions? "The Walled Park of Cl
136: Peter Schubert
Professor Peter Schubert from McGill University returns to the show to discuss the republication of a new edition of his book, "Baroque Counterpoint."
135: Eric Boaro
My guest today is Eric Boaro. He is the author of a very interesting article in Eighteenth-Century Music, called Evidence of the Practical Application of Solfeggio Patterns in the Manuscript for the 1
134: Robert Gjerdingen and Giorgio Sanguinetti
Im very excited to welcome two very special guests to the program, Professor Robert Gjerdingen and Professor Giorgio Sanguinetti. Professor Gjerdingen is the author of Music in the Galant Style and C
133: Patrick Ayrton
My guest today is conductor, harpsichordist, and organist, Professor Patrick Ayrton. He currently teaches thoroughbass, chamber music, and improvisation at the Royal Conservatory of the Hague.
132: Jonathan Salamon
Harpsichordist and Composer, Jonathan Salamon, joins the show to discuss his article on the Leo Schema.
131: Johannes Menke
Professor Johannes Menke joins the podcast to discuss the French Baroque Style, Satzmodelle in 17th-century French music, and more.
130: Rossano Sportiello
Im extremely thrilled to introduce my guest today, Jazz pianist, educator, composer and arranger, Rossano Sportiello! He is one of the world's leading jazz piano players on the scene today, specializ
129: Nicole DiPaolo
Im very happy to introduce my guest today, Pianist, Composer, Teacher, and Music Scholar, Nicole DiPaolo! She is an online Adjunct Lecturer in Music at Indiana University, a faculty member at a Cleve
128: Adem Merter Birson
My guest today is Musicologist and Music Theorist, Professor Adem Merter Birson! He is an adjunct assistant professor of music at Hofstra University. His primary research deals with the relationship between chromaticism and form in the string quartets...