Get Ready for Rome
Latest Episodes
108. From the Cattle Market to the Palatine and from Aeneas to Romulus
After two episodes on the Forum Boarium, we move up to the Palatine Hill. At the same time, we move from Romes distant prehistory and Aeneas to its founding by his descendant Romulus, the son of Mars
107. The Two Temples of the Forum Boarium
The two temples in the Forum Boarium as illustrations of Romes cultural flux over the ages.
106. The Forum Boarium and Rome's Mythical Prehistory
There is scant evidence regarding the prehistory of Rome, but the Romans supplied this defect by handing down and codifying engaging myths. Today we visit the Forum Boarium, where Romes distant ances
105. The Making of Modern Italy
Today is March 17, the anniversary of the proclamation of the birth or making of modern Italy. It seems strange to me that this anniversay is largely overlooked, so I invite listeners to think for a m
104. Where are we?
If the Sistine Chapel reflected the moral vision of Christian Rome, is there any such coherent view in Modern Rome of how we humans should understand our purpose and live our lives?
103. A Pope's View of a Modern Problem
Popes have frequently attacked the moral, political, and intellectual developments that gave birth to modern Italy. On the occasion of the death of Pope Benedict, we today review his controversial Reg
102. The Secularism of Modern Rome
We return today to the "secular" or non-religious character of modern Rome in order to see more clearly how much the Rome of the People has changed from the Rome of the Popes.
101. Michelangelo's Last Judgment
Today we introduce Michelangelo's "Last Judgment," his vast fresco painted on the altar wall of the Sistine Chapel.
100. The Four Corners of Michelangelo's Sistine Ceiling
The four Pendentives of Michelangelo's Ceiling of the Sistine Chapel represent four different dramatic stories from the Old Testament. What are these stories, and what do they teach?
99. The Subjects Represented on Michelangelo's Sistine Ceiling
We know that Michelangelo's painting of the ceiling of the Sistine Chapel was an extraordinary achievement, but what subjects does he represent and what teaching do they convey?