Jacktone Records (SF), Katabatik (Oakland), Record Label Records (Oakland) are the main crews I work with. Releases on Detroit Underground (MI) Frigio Records (Madrid), The Centrifuge (UK), Ad Noiseam (Berlin), Terminal Dusk (US), Component (CT), Puzzling (Liège), Zod Records (Milwaukee)
Tracklist

Exillon - Unreleased
Lego Feet - Side B Track 1 - Skam
The Minister - Untitled 1 - Creme Organization
2AM/FM - Deadly Dawn - Spectral Sound
Rude 66 - Hotrods - Creme Organization
Abandoned Footwear - Unreleased part 1
Abandoned Footwear - Unreleased part 2
The Exaltics - Creep Over - Bunker Records
Levon Vincent - Air Raid - Ovum Recordings
MPIA3 - Acid Badger - R&S
Legowelt - Zomby Land - Creme Organization
MPIA3 - Acid Badger - R&S
Marcel Dettmann - Viscous - Ostgut Ton
Death Abyss - Seek Happiness in Victory, but Never in Peace (Inigo Kennedy Remix)
JTC - The Controller (Mick Wills Remix) - MinimalRome
JTC - Nothings The Same - 030303 Recordings
Levon Vincent - Love Technique - Ovum Recordings
Untold - Motion The Dance - Hemlock Recordings
The Exaltics meets Elec Pt. 1 - Drei Chinesen Mit Dem Acidbass
Neil Landstrumm - Kids Wake Up - Planet Mu
D'Marc Cantu - The Lights Brighter - Creme Organization
Basic Soul Unit - Jak'd Freq (A Made Up Sound - Puur Natuur Mix) - Creme Organization
Exillon - 130 acid test - Unreleased
The Future Sound of London - Papa New Guinea
Lory D - Acix9999 - Numbers
D'Marc Cantu - Try Me - M_O_S Recordings
LFO - Blown - Warp Records
Exillon - Chapi Chopo - Sunwarped Records
Silf - Shadows on White Limestone Monuments - Farbwechsel
Silf - Satellite Phone Blinks Red Light - Farbwechsel
Silent Servant - Utopian Disaster (End) (Extended 12" Mix) - Hospital Productions
S Olbricht - S_tdr (Tape 3) - Farbwechsel
Chymera - Swim Away (Steve Moore Remix)
Untold - Luminous - Hemlock Recordings

City
San Francisco, Oakland, some random warehouse, out in the woods, etc...
How did you get into DJing?
I grew up obsessed with music, either tinkering with drum machines like the Yamaha DD-5, mid-range Casio keyboards and small boomboxes as recording devices or penning the lyrics to Led Zeppelin and Pink Floyd albums as a kid. Later on, I played saxophone in school, drums and guitar with friends in our parents garages on weekends, inspired by Sonic Youth, Nirvana, Melvins and eventually bands like Mahavishnu Orchestra, Tony Williams, Weather Report. Hearing Plug/Luke Vibert, Aphex Twin, Squarepusher, Bogdan, Ovuca, Mike Dred (Universal Indicator) and all those folks on the Nothing Records sampler CD and seeing Come To Daddy on MTV as a teenager shifted things for me into the electronic space. Some friends of mine in High School turned me onto Impulse Tracker, Cool Edit Pro, ModPlug and AudioMulch and I just stuck with it. I liked doing everything myself and running with whatever vibe/feeling I felt at the time. Slowly, learning more software and eventually getting back into hardware and combining everything together while simultaneously learning more about the history of electronic music and dance/rave culture. After High School, I went to Ex'pressions in Emeryville (class# 8!) and School of Audio Engineering in Nashville - this gave me a good foundation for audio, I quickly realized I wasn't interested in recording shitty bands all day, hearing the drummer make the same mistakes over and over so I moved on, but that foundation is still applied every time I work on my own music. These days I'm more excited about working with other people who make music I like and creating something unique to us as a team. Abandoned Footwear (https://soundcloud.com/abandoned-footwear) is a project that Jynx (Nommo Ogo, Identity Theft, Seacrypt) and I started a year or so ago. Jynx prefers to stay all analog, whereas I tend to bring in more digital/software sources - so we've ended up with a super tight system combining everything together. Yes,