In s3e28, Platemark host Ann Shafer speaks with Linda Hults, retired professor of art history from the College of Wooster, Wooster, Ohio. Linda wrote THE textbook on the history of Western prints, whi

In Platemark s3e27, host Ann Shafer talks with Emma Nishimura, an artist and professor based in Toronto. Emma works in printmaking, photography, sculpture, and installation. Her work addresses ideas o

Platemark s3e26's guest is Jennifer Mack-Watkins, an artist and children's book illustrator based in Savannah, GA. Her work looks at social conformities that limit us and box us in, whether beauty, re

Platemark s3e25's guest is Michael Barnes, an artist and professor at Northern Illinois University who specializes in lithography. In addition to deep knowledge of how lithography works, Michael is al

In s2e28, hosts Ann Shafer and Tru Ludwig conclude their two-part conversation about Claude Mellan. An encounter with Mellans best-known work,The Holy Face of Christ on St. Veronica's Sudarium, is t

In s3e24, host Ann Shafer speaks with Steve Goddard, curator emerita from the Spencer Museum of Art at the University of Kansas in Lawrence. Steves specialty is prints of northern Europe (1450presen

In s2e27, hosts Ann Shafer and Tru Ludwig begin a two-part conversation about Claude Mellan, who engraved the most astonishing portrait of Jesus Christ in the history of art. In fact, if it werent fo

In Platemark s3e23, host Ann Shafer speaks with Kimberly Henrikson, Executive Director, Center for Contemporary Printmaking in Norwalk, CT. CCP offers myriad services from contract printing, to artist

In Platemark s3e23, host Ann Shafer speaks with Kimberly Henrikson, Executive Director, Center for Contemporary Printmaking in Norwalk, CT. CCP offers myriad services from contract printing, to artist

In s2e26, hosts Ann Shafer and Tru Ludwig conclude their conversation about Jacques Callot, where there is always more than meets the eye. He's of interest for many reasons, including his practice of