Matt Crowle has directed and choreographed Irving Berlin's Holiday Inn at the the Drury Lane Theatre outside Chicago, and this week he discusses how one job led to (and informs) the other. Featuring e

Brad Oscar is a double Tony Award nominee for his performances in the original Broadway productions of The Producers and Something Rotten!, opens this Sunday in the Broadway musical version of Mrs. Do

Amanda Drinkall plays Desdemona in Othello, The Tragedy of the Moor of Venice, at the Court Theater in Chicago – and, as it happens, she's also played Desdemona before with the Back Room Shakespeare P

In celebration of the RSC Podcast's 15th Anniversary, artistic directors Reed Martin and Austin Tichenor remember the surreal week they spent performing The Bible: The Complete Word of God (abridged) 

Shana Cooper directed the outstanding five-actor American Players Theatre production of Shakespeare’s The Taming of the Shrew (which runs in person and online until November 14, 2021) and returns to t

Chicago's Court Theatre is producing a powerful and intimate production of Shakespeare’s The Tragedy of Othello, The Moor of Venice, and they are absolutely leaning into the play’s full, proper title.

On the eve of the RSC Podcast’s 15th anniversary, podcast host and RSC actor/consigliere Matthew Croke, joins us to discuss whether it's time to change things up. What do you think? Should we change t

Friends of the pod Alejandra Escalante and Daniel José Molina are playing Kate and Petruchio in the five-actor American Players Theatre production of The Taming of the Shrew, directed by Shana Cooper,

Matt Walker is the founder and artistic director of the Troubador Theatre Company, the LA-based ensemble that combines classic texts with classic Top-40 songs to create such astonishing mashups as Muc

Dr. Kavita Mudan Finn is an independent scholar (late of Georgetown University, George Washington University, and most recently, MIT) who is both a creator and scholar of Fan Fiction Studies, and who