Alexa is a technician or what you might formerly know as a projectionist at the BFI Southbank, as well as being an artist and academic working to highlight and practice with celluloid film. It’s quite a nerdy and technical chat, in the best way possible .

I am absolutely delighted that my final episode of the year is with Jess Jones, someone who I’m really lucky to call a friend. I met Jess working at the BFI and I think she has an incredible work ethic and an infectious personality, and it’s been really .

My guest this week is Natalie Samson, a chameleon of the film industry, who has held roles at Women in Film & TV, the post production house Clear Cut and currently as Head of Production at Into Film, a really fantastic educational charity that focuses on.

My guest this week is Rebecca Day, a documentary producer and psychotherapist, who began her filmmaking career working for the Scottish Documentary Institute. She has produced the immersive essay film Becoming Animal which uses cinema’s sensory tools to .

Cate is Head of Acquisitions at Curzon Artificial Eye, the UK distributor behind many an award-winning movie. Some of my favourite releases of theirs have included The Handmaiden, Victoria, Love & Friendship, Only You, A Fantastic Woman, 120 BPM, The Gre.

My guest this week is the very well-named Nicole Dorsey, a filmmaker who splits her time between Toronto and LA. Her work has screened internationally and her debut feature film Black Conflux - a haunting exploration of womanhood, isolation, and toxic ma.

This week I interview Robyn Citizen, who besides having a very cool name, is a film curator, scholar, educator and a Toronto-based Texan. Her eclectic film background includes working as a Publicist Assistant in the Repertory office of New York City’s Fi.

Pamela B. Green has creative directed, produced, and directed feature film main titles, motion graphics, and award packages. She did the titles for a recent indie film I really loved called Blindspotting, as well as Crown Heights and Fences but if you lo.

For episode three of Best Girl Grip goes to TIFF, I sat down with Elise McCave who is Director of Narrative Film at Kickstarter and was formerly Deputy Director at Doc Society (a.k.a. BritDoc) to talk about what excites her about crowdfunding, how filmma.

For the second episode of Best Girl Grip goes to TIFF, I’m joined by Margaret Boykin, Director of Film Development at Ubisoft where she is focused on adapting their catalogue of games for film, with titles in their library including Ghost Recon and Just .