As the hosts practice social distancing, CHR opens the show with the densely-produced death metal of New Zealand's Ulcerate while Doug opts for some Michigan melodeath from The Black Dahlia Murder. In the indie segment,

Doug opens the show with the throwback classic power/speed onslaught of Germany's Stallion, while CHR drags him back to the U.K. to listen to My Dying Bride's newest death/doom outing.

As the hosts practice social distancing, Doug vents his frustrations through the new Body Count album, while CHR busts some stuff up to Testament's newest LP. Feeling everyone could use some guidance on life,

CHR opens the show with some "psychedelic doomcore" from Germany's Warped Cross, and Doug checks out the latest release from industrial shock-rocker Davey Suicide.

CHR opens the show with the throwback sounds of The Night Flight Orchestra while Doug opts for some deathcore from Suicide Silence. In the indie segment, CHR checks out some experimental gothic metal from the French band Ulvånd.

Doug opens the show with some environmentally-themed extreme metal from California's Cattle Decapitation while CHR takes the dairy theme to extremes with some glorious cheese from Sweden's Brothers of Metal.

It's Black Metal History Month, so CHR and Doug are serving up an episode full of blackened goodness. In the new album segment, Doug serves up some blackened melodeath from Machinations of Fate and CHR opts for some blackened thrash from Midnight.

CHR opens the show with some slow, female-fronted doom from California's Brume while Doug picks up the pace with the old-school death-and-roll of Arizona's Gatecreeper.

CHR opens the show in Germany with the speed metal assault of StormWarrior while Doug brings us back to the states for some crossover thrash from Red Death. In the indie segment, CHR introduces some Amon Amarth-laced,

Doug opens the show with some progressive German tech-death from Obscura, while CHR indulges some avant-garde black metal from Schammasch.