Rhian Jones joins me to discuss her article inTribune Magazine, An Enterprise Allowance of the Left which looks at the disappearance of working class voices from the arts and how the left might rebuild working class culture. We talked about how Britpop positioned working class people as uneducated and hostile to musical experimentation, the creation of institutions of cultural production and care by working class communities in the early and mid-twentieth century, and finally we chatted about why Grime was able emerge in spite of the decline of sites of working class cultural production.