Kevin Kenerly is a 22-year veteran of the Oregon Shakespeare Festival and is currently playing Richard Burbage in Lauren Gunderson’s The Book of Will (after having played Burbage in Shakespeare in Love in 2017).

Barnstormers Theatre in New Hampshire is producing our rarely-seen show Western Civilization: The Complete Musical (abridged), which we created in 1998 under its original title The Complete Millennium Musical (abridged).

Director Nate Cohen is in his second year of Northwestern University’s MFA Directing program and recently created a cheeky — and slightly tongue-in-cheek — flowchart entitled “Should I Direct This Play (A Guide for Well-Intentioned Cis Het White Men).

Our own Jerry Kernion is playing Colonel Tom Parker in the new jukebox musical Heartbreak Hotel, currently playing in Chicago and possibly soon on its way to a theatre near you. Jerry talks about playing this controversial person,

How do you get to the Edinburgh Fringe Festival? What's involved with producing yourself at the largest theatre festival in the world? Jamie Gower, the creator and star (sorry, operator) of Denny O'Hare: I Feel Fuzzy,

Composer and arranger Michael Roth has had a big summer, scoring not only the Shakespeare Center of Los Angeles production of Henry IV starring Tom Hanks, and Pamplona, the one-man play about Ernest Hemingway, starring Stacy Keach,

Sylvia Hernandez-DiStasi is the artistic director and co-founder of The Actors Gymnasium, a physical theatre school with a huge emphasis on circus and telling stories through movement. A longtime collaborator with Chicago's Tony-winning Lookingglass Th...

Failed astrophysicist John Kovalic certainly landed on his feet, becoming not only a fantastic cartoonist and board game designer, but the creator of Dork Tower and Apples To Apples, illustrator of Munchkin Shakespeare,

The script for William Shakespeare's Long Lost First Play (abridged) has now been published in the US (after having been published in the UK earlier this year) and this week we talk about how the various limitations we've encountered -- physical,

Friend of the podcast Tom Schall talks about how he's become Broadway's Fight Guy (or, truthfully, one of them), the go-to person to design fight choreography and tell a story using actors' physical language.