This week the gang explores the Netflix original CLINICAL, a psychological thriller set in the world of psychology. Will therapist Jane be able to come to terms with her trauma and save her new patient, a man without a face? Or will she just bring the r

This week, EHMON checks out the freaky side of the young adult section, and ponders the Cirque du Freak franchise that could have been. Join us as we discuss the film, its potential queer subtext, the recent theatrical release THE PRODIGY and its Netflix

In space, no one can hear you “shh shh shh ahh ahh ahh.” This week the gang takes a trip to 4.55 centuries in the future where iconic killer Jason Voorhees stalks the crew of a research spacecraft. Is this the “Jason in space movie&#822

The gang takes on the amazingly popular Netflix original BIRD BOX! Was it good? Was it scary? What did it all mean? How was the book? What does this mean for the cinema landscape? We’ll try to make sense of it and then spin the WHEEL OF DEATH

This week, the gang reviews the 1983 John Carpenter classic CHRISTINE! Join us as we ponder the film’s sexual overtones, the gender of a 1958 Plymouth Fury, what Chris learned from the Blu-ray commentary, and the grim fact that Netflix is cropping t

The gang sits down for a casual conversation about 2018 in horror: our highlights and lowlights and all the horror-related things we’ve enjoyed this year that weren’t on Netflix. Happy New Year!

This week, the gang goes to the barren radioactive landscape of the Chernobyl Exclusion Zone, a place where anything is possible… as long as it’s fuckin’ two-headed fuckin’ animals, two-headed dogs and donkeys and shit. But does t

Buy some tokens and join us for a discussion of the new Netflix original CAM! What happens when a cam girl’s identity is taken over by a mysterious doppelganger? We’ll sort out the mystery of Alice’s web show and also the mystery of wh

Hopefully you’re afraid of clowns! Art the Clown is here to prey on that phobia and also on young women. Join the gang as we discuss this modern attempt at establishing a new horror icon and also dig into the modern movie distribution landscape, the

C is for CARGO, that’s good enough for the EHMON gang this week. Let’s follow Martin Freeman on a daring journey through the post-apocalyptic Australian outback. Along the way we’ll discuss the zombie genre and everyone will share thei