Create with John Fanning podcast

Create with John Fanning podcast


10: Perfection, Shakespeare and Creativity

May 07, 2020

Excellence is an art won by training and habituation: we do not act rightly because we have virtue or excellence, but we rather have these because we have acted rightly; ‘these virtues are formed in man by his doing the actions’; we are what we repeatedly do. Excellence, then, is not an act but a habit: ‘the good of man is a working of the soul in the way of excellence in a complete life… for as it is not one swallow or one fine day that makes a spring, so it is not one day or a short time that makes a man blessed and happy’.

That’s a quote from Will Durant’s 1926 book The Story of Philosophy, when he writes about Aristotle. And I’m John Fanning and this is the Create with John Fanning podcast.

How’s it goin out there. Hope all is well with you.

This is Episode 10 of my series of episodes on Imagination and creativity, based around my book Create.

Last time I talked about genius, talent and originality but today I want to talk about perfection, another Wall away from Imagination and creativity.

First, there’s the idea that everything comes out perfectly.Well, I’ve never written a chapter I didn’t have to change. Maybe that’s just me, and every writer I’ve ever known. Maybe there’s a writer out there who’s written a whole chapter without changing a comma. I doubt it.

Also, do you think Frank Gehry’s buildings always go up the way he first designs them? Did George Lucas use his first cut of “Star Wars”? How many times did Elon Musk have to test his Tesla cars before they went on the road? And even then, was that the end of it? Was every Shakespeare play finished when it was finished, perfect? Look at the iPhone. Every year there’s a new one.

Second, there’s the idea that every great work is perfect.

Well, what about all the times Shakespeare performed his plays in the provinces before showing them to the king and queen and court? Do you think he didn’t change a line here, a scene or character there, when the audience in the pit started booing or shouting at the actors on the stage, or flinging rotten fruit or eggs at them? Of course he did.

Another example: Leonardo Da Vinci. Would Da Vinci have called his Saint Anne perfect? He worked on it until his death, that is, over twenty years, consistently changing it.

Back to Shakespeare. When he was creating he had to bear in mind two audiences: the gallery seats, an educated audience who appreciated character development and subtlety, and those in the pit who wanted to see sex, action, fun. Do you think it a coincidence that after nearly every soliloquy, every quiet scene, there’ll be a scene that’s comic, or violent, a sword fight, a murder? Do you think Shakespeare didn’t change a line when one of his friends, the people he acted with, owned a theater with, suggested it? They were giving him advice as creators (actors) as well as creative business people.

Every time he picked up his quill, Shakespeare knew, in the coming months, by the time it was seen by the king and queen, his words, his scenes, maybe even whole acts, would change, countless times. That’s why he was such a great creator. He surrounded himself with great creators, learned his drama craft for ten years before he even started writing, then changed his work as often as he thought it would make his creation better, knowing it was never perfect, only ready when it was ready.