In s2e25, hosts Ann Shafer and Tru Ludwig take an in-depth look at Jacques Callot, who is the first printmaker in Western art to record the atrocities of war. He heads up any list of artists using pri

In Platemark s3e21, host Ann Shafer talks with Pam Paulson, founder of Paulson Fontaine Press, Berkeley, California. After earning her MFA in painting from the San Francisco Art Institute in 1982 (sh

In Platemark s3e20, host Ann Shafer talks with Kimberli Gant, curator of Modern and Contemporary Art at the Brooklyn Museum. While Kimberlis specialty isnt in prints per se, she is one of those unus

Platemark s2e24 concludes hosts Ann Shafer and Tru Ludwigs conversation on reproductive prints. Once again, for clarity, a reproductive print is one in which an artist creates a design (a drawing, pa

In s3e19, host Ann Shafer talks with Maryanne Ellison Simmons, collector, printer, and owner of Wildwood Press in St. Louis, MO. Along with her husband, baseball hall-of-famer Ted Simmons, Maryanne co

In s3e18, host Ann Shafer talks with dealer Susan Teller, whose eponymous gallery operates out of the Mana Fine Arts facility in Jersey City, NJ. Susan specializes in American paintings and works on p

Platemark s2e23 continues hosts Ann Shafer and Tru Ludwigs conversation on reproductive prints. For clarity, a reproductive print is one in which an artist creates a design (a drawing, painting, scul

In s3e17, Platemark host Ann Shafer talks with print dealer Jeannot Barr, who organized the first (and many subsequent) New York Print Fair in 1984. They touch on pricing, buying at auction, fair orga

Curator, University of Colorado at Boulder Art Museum

In s3e15, Platemark host Ann Shafer talks with printer Julia DAmario, who has been the printer at the Jordan Schnitzer Printmaking Residency at the Sitka Center for Art and Ecology in Otis, OR, since